'Twelfth Night - Act 1 Scene 1 - If music be the food of love, play on'

02:58 Jul 25, 2021 0 2

'In the land of Illyria, Duke Orsino enters, attended by his lords. Orsino is hopelessly in love with the beautiful Lady Olivia and pines away for her. He refuses to hunt and orders musicians to entertain him while he thinks about his desire for Olivia. His servant Valentine reminds him that Olivia does not return his love or even listen to the messages he sends her. We learn from Valentine that Olivia is in mourning for her brother, who has recently died. She wears a dark veil, and she has vowed that no one will see her face for another seven years—and she refuses to marry anyone until then. Orsino, obsessed with the woman who keeps refusing him, wants only to lie around on beds of flowers, listening to sweet music and dreaming of Olivia.  The opening lines of Twelfth Night, in which a moping Orsino, attended by his servants and musicians, says, “If music be the food of love, play on,” establish how love has conquered Orsino (I.i.1). His speech on this subject is rather complicated, as he employs a metaphor to try to establish some control over love. He asks for the musicians to give him so much music—the “food of love”—that he will overdose (“surfeit” [I.i.2]) and not be hungry for love any longer. Orsino’s trick proves too simple, however; while it makes him tire of the music, it fails to stop him from thinking about love.  Orsino also makes a pertinent comment about the relationship between romance and imagination: “So full of shapes is fancy / That it alone is high fantastical” (I.i.14–15). This comment relates the idea of overpowering love (“fancy”) to that of imagination (that which is “fantastical”), a connection that is appropriate for both Orsino and Twelfth Night as a whole. Beginning in this scene, the play repeatedly raises the question of whether romantic love has more to do with the person who is loved or with the lover’s own imagination—whether love is real or merely something that the human mind creates for the sake of entertainment and delight. In the case of Orsino, the latter seems to be true, as he is less in love with Olivia herself than he is with the idea of being in love with Olivia. He claims to be devastated because she will not have him, but as the audience watches him wallow in his seeming misery, it is difficult to escape the impression that he is enjoying himself—flopping about on rose-covered beds, listening to music, and waxing eloquent about Olivia’s beauty to his servants. The genuineness of Orsino’s emotions comes into question even further when he later switches his affections from Olivia to Viola without a second thought; the audience then suspects that he does not care whom he is in love with, as long as he can be in love.' 

Tags: Play , Theater , shakespeare , William Shakespeare , Twelfth Night , Cork , The Loft , Cork Shakespeare , Act 1 Scene 1 , Orsino

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